The problem with engagement? It involves other people

There have been several social media conferences recently where, from hashtag evidence, person after person stood up and urged listeners to “go where the conversation is”,  “be part of the conversation” and “if your brand isn’t engaging on Facebook, ask yourself if YOU aren’t engaging on Facebook”.
Which is all very right (although possibly repetitive) but quite often you see brands attempting to engage, and then getting caught up in a social media storm for striking the wrong note.
Remember the admittedly-baffling Greater Manchester Police tweet ‘there are no excuses!’ (now deleted) around the riots sentencing last year?
It saw GMP go from the Darling of Twitter for its commitment to engagement and social media to a pariah within moments and was quickly followed by…

That made it into the Guardian, no less. And yes, it was a stupid editorial to add to a tweet about a sentencing, but feeds are run by people, and people make mistakes.
This week it was London Midland having to apologise for tweets about a suicide on the line causing delays.
Among the tweets complained about was:

@louhaffner Go to the pub – things will be rubbish for at least the next hour.
— London Midland (@LondonMidland) February 12, 2012

Hmm. Maybe I’m being insensitive but I can’t get exercised about that. And having looked at the London Midland Twitter page, which responds not just to @messages but also to tweets generally referencing the company, I think it’s pretty exemplary and the result of decent training and, possibly, some harsh lessons.
Whoever helps run it (assuming it’s a team effort) has a good line in engagement and conversation, understands hashtags, doesn’t overdo the emoticons and generally sounds, well, human. All in the face of people tweeting intelligent responses such as

@LondonMidland yes you can,stop hiking the fares,have the trains on time & you would have no one jumping in front of trains. #frustration
— PIEnMASHgeezer (@PIEnMASHgeezer) February 12, 2012

Tweeting as a brand is a hard balance to strike. You need personality, but not too much, and a degree of familiarity might work some of the time but not always – or at least not always with everyone.
Some people are apparently keen to be offended, some people will respond in inappropriate ways, but expect you to remain respectful and informative.

Engaging as a news brand is an even bigger minefield. You ask a question around, say, what people would be interested in reading about and get a “Why should I do your job?” tweet back from someone.
At which point, you can either shrug and respond to those who do want to engage, or try to strike some common ground with those who prefer to complain.
The benefit of the latter could be very real… it could also end up being a mutually dissatisfying time-suck.

I’ve got some personal rules about responding to people who are in full fighting plumage – usually on Twitter rather than Facebook – as a brand (ie. tweeting as WalesOnline or WalesonSunday)…

1. Are they simply grandstanding? (Generally, they don’t want a response, they want a reaction)
2. If they are grandstanding, who follows them? (If you’re broadcasting to 3 pornbots and a couple of mates, fill your boots)
3. On Twitter, do they have an avatar or are they an egg? (Often indicative of whether they’re likely to engage or not)
4. Does their tweet make any sense or are they swearing? (I won’t talk to you on the phone if you swear at me, I’m not making an exception in digital life)
5. Are they agent provocateurs? (if their Twitter stream comprises complaints, whinges and attacks then there’s a good chance they just enjoy annoying people)
6. Am I responding simply because the person is bone-crushingly stupid, and I’d quite enjoy smashing their point out of the park? (If yes, it’s generally not worth it)

Four years ago I would have said it was wrong to have a criteria for responding to anyone online, but now I’m not so certain.
I’ve closed two online forums because in both cases my overstretched digital teams were intervening in rows not only between users of those communities, but with some of the community-appointed moderators. The horse hadn’t just bolted, it was accelerating into the next county.
Shutting them down wasn’t a decision lightly-taken – the page views were advertiser-friendly (100k+ in one case) but the spite and fighting weren’t.
Getting those channels back on track might have been possible with concerted, full-time community management. Ergo, from a team manager point of view, it wasn’t practical or desirable. Putting new efforts into Facebook, Twitter and site users elsewhere proved far more beneficial, and led to lessons learned and better engagement.

The beauty of social media for brands is that it brings a connection with other people.The drawback is that other people will be, well, people. Add a little anonymity, distance and the opportunity for some manufactured outrage, and the results can be illuminating.

* Update: The subject of engagement and brands has also prompted a blog post from David Higgerson. Recommended reading: SOCIAL MEDIA: THE PERILS OF GOING TOO FAR WHEN TRYING TO MAKE A BRAND INTERACTIVE

Enhanced by Zemanta

Why (and how) news organisations should schedule tweets

Image: Wikipedia

It’s not exactly a raging controversy, but there are decided opinions held on whether news organisations should schedule their tweets. 
It makes a huge difference when someone writes a tweet as opposed to a bot spitting out a link – the colour, interaction, nuances are quite different, but you can’t hover over a keyboard promoting links 24/7 and there are times when planning ahead and scheduling means you put the reader first. 

So, some thoughts…

1. Be mindful of what’s happening
One of the big issues with scheduling tweets is that the news agenda and public mood can change quite rapidly; a jaunty tweet about a showbiz story is obviously jarring to people gripped by a major, rolling news break of significance.
If you did schedule tweets in advance and then have second thoughts about them, log in and quietly unschedule*. In Hootsuite and Tweetdeck (which I flit between – especially now CoTweet is ending its free model) you need to add Scheduled Tweets as separate columns to edit/delete them. 
Just because you’ve set a tweet in time it doesn’t mean you’ve set it in tablets of stone, after all Just… kill your schedule for the time being. *May necessitate some midnight logging on if something of international significance occurs late at night.

2. Apps matter
Scheduling does have drawbacks – not least the client you use. 
I’ve been using the neat tool Bufferapp for a while, and started running SocialBro for Twitter analytics after TM’s social media wrangler Heather Hughes tipped me to it, but I’ve now realised they mash-up to produce a very handy scheduling option.
For example, analytics tell us the Welsh ex-pat community in the southern hemisphere will not be logging on on WalesOnline, agog for local news, at 7am GMT. 
They will, however, show up in the small hours, and many of them will be checking their Twitter and Facebook networks around the same time. So by linking WalesOnline’s Twitter with Bufferapp and SocialBro, it does some crunching, and resets Bufferapp’s schedule to hit the times most of our audience are online. Bufferapp also offers several browser extensions and can be installed in Twitter. Like I say, it’s very neat.


3. Humans rock

We switched off the Twitterfeeds in Liverpool a few years ago; WalesOnline lost most of its auto tweets last Spring and everything on the new @WO_breaking is tweeted by Actual People. 
We hit the lunchtime traffic, for example, with some of the more diverting stories in the Need to Read section (which sits alongside the Wales News story queue and effectively sums up the difference between public interest and interesting to the public). 
The early evening traffic gets the big/high-traffic stories of the day that have broken while worker bees may have been stuck in meetings, and are looking to catch up on the commute. We also add diversions – the picture editor’s choice, some quirky reads – because it’s not all about news.
Most of those tweets can be written earlier in the day and scheduled; they can run to a timetable that sits outside the news agenda.


4. It’s not gatekeeping – it’s curating
Possibly some the resistance to scheduling was born out of the Journalists as Gatekeepers backlash – certainly I think a lot of us working in MSM digital spaces were terribly conscious a few years ago about the stigma of being seen to hold back the flow of news. 
Personally, I’m not so worried about it any more – news flow happens whether we want it to or not, there are so many options out there for stories to be shared that it’s laughable to assume things won’t find their way into the world independent of what the newsroom does (this goes double for sport stories). Don’t try to gate keep but do try and curate interestingness to make things more convenient for online users – and your average time-poor, Daily Mail sidebar of shame lunchtime reader deserves a bit of help in finding something other than TOWIE and Branjelina updates to read. 

5. Check your tweets
Don’t assume the link will be perfect, or the photo will have uploaded as you planned. It looks unprofessional and uncaring if your Twitter page starts spitting out broken links.
Hootsuite has a good scheduling option but ow.ly links are flaky and frequently break; Tweetdeck scheduling is, in my experience, a disaster. 
The analytics on Bufferapp (I use Bit.ly) and SocialBro show me how many times each individual tweet has been reshared, who retweeted it and what its likely reach was. 
From that, and from on-site analytics, it’s easier to build up a picture of who your readers are, what they want and when they want to read it – which makes it easier to consider what tweets you should be scheduling, and at what time. It’s practically a virtuous circle.

Those are my thoughts; anyone who has some other views or scheduling thoughts tricks or tools, please share – I’m always on the look out for new things to try.

Enhanced by Zemanta

Your newspaper BMDs column is now live on Twitter

Image via Wikipedia

Long ago, when people tended to AskJeeves instead of just Asking, and citing Wikipedia as a source got you a newsdesk hairdrier (so, circa 1994), being rota-ed to do the Births, Deaths and Marriages scan was an envied job.

 Usually you were the early shift reporter, so you would potentially already have bagged at least one edition’s on-day splash from calls, and then you were able to settle back and peruse around a dozen pages of arrivals, departures, public notices and classifieds in the name of Human Interest stories.

Once you found a decent lead lurking in the BMDs, there was often a friendly vicar (M&Ds), obliging undertaker (Ds) or several postings from proud family and friends (Bs) to help you track down your quarry, aided by the phone book and directory enquiries. Failing that,  an advertising colleague manning the classifieds ads booking might agree to look for the phone number of whomever had taken out the ad in the first place.

I landed any number of death knocks as a result of BMD trawls, and the Personal column always, even if it didn’t generate any leads, provided brilliant entertainment. 
The Liverpool Echo death notices are legendary (one – genuinely – included the optimistic ‘you’ve come back from worse than this’ and I personally spotted one congratulaing the newly deceased on his son achieving a degree); in my first week on the paper I turned to the BMDs to find someone had announced the death of a loved one by publishing, with songwriting and musician credits and copyright, the lyrics to The Whole of the Moon. It took up an entire column. 

The family announcements columns offered possibly the best and most human face of newspapers; death notices and weddings on the two weekly titles I worked at were published free because they were considered news. For those of a certain vintage, buying a freshly-printed Tenby Observer or Western Telegraph from the front counter, the front page glance would be followed by a scanning of the annoucements – the old ‘just checking I’m not dead’ joke was obligatory. 

You have to pay for most announcements now, every penny counting of course, but maybe the reason they are so compelling is partly down to the fact that it’s where the audience/customer has an element of editorial control, simply by dint of paying to publish.
People get to write and style their own entries, use the grammar they chose, the exact quotes, photos and length of the piece and, unlike ad features, they are usually of interest to at least several people.

Anyway, the thing that prompted this self-indulgent muse was a question from a journalism student whoe dissertation includes a consideration of whether Twitter is essential for journalists. 
I happened to say as part of my response that I thought maybe Twitter, Facebook and other social networks were the new BMDs – people take to them to announce major events in their lives, from livetweeting a birth  to a Facebook status update announcing the death of a loved one – and in the same way those announcements, public notices and classifieds were seen as essential reading by everyone in a newsroom, Twitter should be as well. 

Lives are recorded on YouTube videos and sometimes they go on to become stories in their own right; when Seesmic offered video threads I used to talk to a fellow poster, who lived in America and who had cystic fibrosis. Two days after our last contact, I learned of his death via Twitter. I’ve seen the passing anniversaries of his death being marked by tweets from others as well. 

Lots of people post announcements of a very personal nature, from new jobs to lost jobs, engagements to separations, and they do it online, via blogs, forums, social networks, photo-sharing sites… 
It’s a rich vein of information and you don’t even necessarily need to be an enthusiastic user of Twitter to exploit it. 
Twitter Lists are brilliant for sources, as are the social ranking sites like Peer Index  (I’m less sure about the ranking usefulness of such sites than I am their ability to list topic or geographic interestingness). Geographic Twitter searches, sites such as Monniter and Twibes are just some tools that can help.

If you didn’t read the BMDs and announcements it didn’t mean you were a poor journalist, just one who wasn’t exploiting your sources to the full potential. Same goes for social networks now – you are missing out, even if you don’t know it.



Enhanced by Zemanta

Twitter hashtags; lots of curation but where’s the context?

Hashtags give me headaches.
Not the #somethinghasjusthappenedandIamtweetingit hashtag or the #iamaddingahashtaginanironicwayhere or even #myfootballteamisplayingandIwanttofeelpartofthetribe  – it’s the interesting hashtags that are being shouted into a void that perplex me.


Curation is an important word for journalism at the moment; we’re all about the curating of content and adding context around it.

But hashtags often do little add context, although they do add volume. I can get a sense of amplification – of importance – from how many (and who) is tweeting a hashtag but finding out what they are doing, where and why can be tricky.

I follow a lot of people on Twitter, and they go to a lot of events or follow a lot of sport, and they tweet about it with hashtags.
Sometimes I’m not interested (#F1 I’m looking at you) in which case the Tweetdeck filter or Proxlet extension on my Chrome browser is a godsend.
But sometimes I am interested and would like to know more; that’s when it can get frustrating, because finding out what a hashtag is can be a nightmare.

Occasionally this sort of thing pops up in a stream…





But often I just see interesting looking conversations happening around an unknown event with a #hashtag that doesn’t link to anything other than a stream of other people using the same hashtag.
If I know the people I can try to backpedal down their tweet stream far enough to see what they’re up to but it’s a hit-and-miss approach with no guarantee of success.


Brizzly has a ‘why?’ hyperlink next to the trending topics that explain why each is being talked about and it can be very useful; it adds a layer of knowledge that takes a hashtag beyond curation into explanation.  Trends Map is also great for spotting local trends, but there’s nothing around hashtags themselves that allows the creator to explain what they are.  


There is a site called Twubs which allows you to register a hashtag but it doesn’t really do what I need it to; ie. tell me what that hashtag is about. It does aid discovery by others in that it’s added to the Twubs directory, but mainly it’s to stop Corporates stealing hashtags off each other.

Ideal world scenario: When you write a hashtag you can select an option to explain what it’s for, which generates a comment box to enable a short description, like the name of the conference, or a football match or a breaking news event. Thereafter, anyone hovering over that hashtag sees a pop-up explanation.  


So, dear Twitter app developers (or just Twitter, God knows it would be nice if you actually did something for your own site rather) please could you build something that brings the endless game of What Is This Person Talking About to an end? 
Or, if something like that exists, will someone tell me and put me out of my misery?
#justsaying

A tale of one, possibly two, stabbings and maybe a glassing. Or not.

I was working as editor on the Post and the Echo newspapers on the day of the Liverpool FC v Everton FC derby match, when there was an announcement during the match that Anfield Road was closed because of ‘an incident’, and people should avoid that area when the left.

Soon after the rumours started: A man was stabbed…a man was dead… an Everton fan had been stabbed by a Liverpool fan… two Everton fans had been stabbed… one Everton fan was dead, another fighting for life..you get the picture*.
I was tracking the story across Twitter and Facebook, and I couldn’t believe what some people were posting – without a shred of evidence that anyone was stabbed, let alone dead.
I thought Storify might be a good way to illustrate bow what started out as a crowd announcement became – in the space of around 30 minutes – a massive swirl of misinformation culminating in an RIP tribute page on Facebook.(Update: The Storify embedded in this post doesn’t seem to show up in rss readers)
Interestingly, we were tweeting the official police confirmation that a man had been assaulted at the King Harry pub, but the noise of the networks swept the grains of truth away without regard. I also found a Mirror journalist at the game had asked a policeman, who was refreshingly off-message, but still rumours flew back and forth. ‘Everton fan stabbed to death’ tweets were still being posted after 11pm and no doubt they will continue tomorrow.

* This was what happened

.bbpBox26780664011431936 {background:url(http://a3.twimg.com/a/1294279085/images/themes/theme1/bg.png) #C0DEED;padding:20px;} p.bbpTweet{background:#fff;padding:10px 12px 10px 12px;margin:0;min-height:48px;color:#000;font-size:18px !important;line-height:22px;-moz-border-radius:5px;-webkit-border-radius:5px} p.bbpTweet span.metadata{display:block;width:100%;clear:both;margin-top:8px;padding-top:12px;height:40px;border-top:1px solid #fff;border-top:1px solid #e6e6e6} p.bbpTweet span.metadata span.author{line-height:19px} p.bbpTweet span.metadata span.author img{float:left;margin:0 7px 0 0px;width:38px;height:38px} p.bbpTweet a:hover{text-decoration:underline}p.bbpTweet span.timestamp{font-size:12px;display:block}

Police appeal for witnesses after fan suffers broken jaw in attack before Merseyside derby http://bit.ly/fRsKr9less than a minute ago via twitterfeed

And how the next day’s Echo carried the story on the front  page:

Enhanced by Zemanta

Meeting friends from Norwegian newsrooms

I had the pleasure of meeting a group of print and broadcast journalists from Norway who dropped by the Post&Echo offices on Friday, while they were on a union-led, team-building outing to Liverpool.

Lars Johnsten, of Drammens Tidende, contacted me to suggest meeting up after a mutual acquaintance (whom I first met and admired on Twitter before making Real World contact at the News Rewired conference earlier this year), journalist and blogger Kristine Lowe, hooked us up.
And I’m so glad she did. 

It was fascinating to talk about the issues and developments in the industry, and get their take on things – cutbacks, newspaper ownership, paywalls and what (if any) content you could conceivably charge for. Lars’ paper has just developed an iPad app and I will be very interested to see how that takes off. Likewise, they were interested to know how the newsroom operates having taken out a production tier, with reporters writing onto electronic pages and no sub editors. 

I snapped a quick photo of some of them discussing Saturday’s front page design with editor Alastair Machray and designer Richard Irvine…

Norwegian journos visiting the Echo

It brought home to me – yet again – how my work as a journalist, and my day-to-day job – has been enriched by social media. Without Twitter and blogging, we would never have had that point-of-contact and this random meeting – which really enlivened a Friday afternoon – would probably have never happened.
It’s a small point, but it’s one I do well to remind my self of. And it’s a nice example to have up my sleeve if I’m asked (as still occasionally happens) what the returns are for the time invested in social media. Making real life friends is a pretty good return, I’d say.

Enhanced by Zemanta

Some conflicting thoughts on Facebook

Facebook logo

Facebook has been on my mind this week.
 First of all it published some advice to the Meeja on how journalists can get the most out of using the social network which, while a little heavy on the exclaimation marks, seems useful and has some good pointers. It’s a best practice guide for reporters who want to know more about using Facebook in a professional capacity, to promote their work, seek feedback, guage public opinion, crowdsource ideas and more. Plus it allows them keep their personal/professional networking somewhat separate (we’ve all seen examples of what happens when Facebook Status Goes Bad).

Then, via Paul Bradshaw’s OJB, I came across a blog post on the BBC College of Journalism site that made me reconsider all of the above.


First up, the new Facebook media guide.

facebook2

I like this idea because it offers good, entry-level engagement opportunity. Editorial types who perhaps aren’t wholly signed up to the idea of using platforms other than print to share news probably do use Facebook, for communicating with friends, sharing information, playing games, lurking and generally displaying their interests and intents. This means it’s a familiar, easy environment to try out audience interaction and engagement. I think some journalists could find having their own professional Facebook page very useful, although early adopters in the newsroom will already be using it, and Twitter, Foursquare, forums and blogs, plus their own title’s website, to engage anyway.

Meanwhile, over on the Collegeof Journalism site, there’s some fascinating Facebook research. Drawing on the views and useage of 20 19-39-year-olds, who were asked how they consumed news via social media, it reveals that Facebook is their main network, used on mobile (on-the-go contact) and desktop/laptop (deeper interaction, engagement and consumption of news).

I found the survey fascinating and it’s well worth a read; the bullet points for me were:

  • Comment and discussion are a key component of enjoying news on Facebook…but most restricted that discussion to their own group of friends 
  • News interest is very much personal; people know what information they want to consume 
  • No real concensus on the type of news Facebook pages should host 
  • Media organisations pimping links are unlikely to find a large audience 
  • Facebook was not seen as a credible new site – users would visit a mainstream site to verify information 

 Looking at the Liverpool Echo’s Facebook site to see what was being sparking people’s interest, we currently have a platform that is more about consuming than conversing.

facebook

This is the ‘official’ Echo site, although by no means the only one.A few years ago, when regional papers went all Web 2.0, everyone started a Facebook page for their title. Then several other everyones at the same title went and did the same thing. And then a lot of them left, without telling a single colleague that those pages even existed, let alone passing on a login.
So you can have a number of Facebook pages/groups/fan pages that revolve around the same thing. If you search Liverpool Echo on Facebook you’ll find, among other things, a home delivery page, some non-associated Echo sites, and marketing pages for specific events or campaigns.

This particular Facebook page was established as the main Echo one in February 2009; it has nearly 1,400 friends. The online chat is always on, and I frequently get IM-ed by the Echo’s ‘friends’ who see the paper is online for chat and want to know the latest news – it happened twice as I was writing this post.
Some reporters use it for crowdsourcing, and some of the more outrageous gangster stories can lead to interesting comments but we could do so much more with it, given more time and more people. We get comments our links, which are bit.ly links mostly auto-posted via Twitter to the site, or video/photos, but people tend to use the Like button a lot more than they leave comments – a LOT of links get liked, or shared. So I can see why Facebook’s media guide would say the Like button can be a valuable tool for gauging reader opinion.

mayor

Monitoring Facebook is important. It’s also somewhat time-consuming  (among other things, I accepted 45 friend requests to the Echo when I logged on). Looking after your social media presence is just as important as making sure your newspaper ncompanion website is maintained properly; if a lie can run around the world before the truth has got its boots on, then a critical tweet can become a meme before a title has even noticed someone’s sent an angry @ reply, and a a conversation thread can develop on your Facebook page that is entirely independent (and way more colourfully worded) of anything you’d allow on your brand’s homepage.

Most of the national titles seem to have at least one dedicated editorial staff member who is the public face of community interaction. I don’t know anyone in the regional press with that specirfic remit but I may be wrong, although I’d imagine most titles rely on the digital editorial team to do a bit of everything – create multimedia content, manage the editorial look and content of the web pages, and interact across in-house and external digital platforms with audiences.
I’d also imagine that if you asked most senior media executives about online relationship strageties, they’d think you meant their CRM.
Which one of these two items – the BBC research or the How-to guide for Facebook – is more useful? For me, it’s the research. The guide is content; the research is context.

So, as I said, I have some conflicting thoughts on Facebook. On the one hand, I can see the merit of more interaction but what I actually believe in is better interaction; if we don’t manage what we have well enough now, where is the merit in doing more?
Of course, we should be improving and growing simultaneously.And yet, as the BBC research showed, Facebook users don’t necessarily want more or better – they just want what they want. The Like button can point us at that, but it can’t be all we rely on. But the research further shows – I think – that Facebook has a fundamental part to play in building a brand’s reach and social currency with an audience, but it only stretches so far – such as users still opting to check the veracity of a linked Facebook story on the title’s original homepage.
So should we really trust a Like button? And if our audience doesn’t particularly trust news on a Facebook site, why think too deeply about pushing content at them, when they will visit the source to verify it anyway? I’m sending myself round in circles with this. I’m sure the answer is out there, somewhere.

Enhanced by Zemanta

Anti-social media

I’ve blogged over at the Media 140 blog on online rudeness, bullying, Brumplum-gate and the problems of moderating communities if you’re interested in that sort of thing.
It was a timely post as I’d sent the words over on Friday, and then after the whole Fry affair kicked off on Saturday it needed a fair amount of tweaking to reflect those events. Anyway, you can read it here.
Incidentally, I recommend the Media 140 blog if you don’t already follow it – the latest post on there is by Henry Ellis and he’s shredding the Twitter rulebook with some panache. 

Guest-blogging on Media140

I wrote a blog post last week which you won’t see on this site. It was about how and why I use the Favourite option on Twitter, what its uses are, and different was of checking out other users’ Favourites, and when I finished it I pinged it off to the Media140 blog to use however they wished.
If you want to read it – and please, please do! I don’t want to be responsible for a dip in their traffic – the post is here.

It was the first time in just over 18 months of blogging that I’ve written a post for another person’s blog site, and it was a very different experience. I enjoyed it and it was a subject that I found interesting (hopefully so did others), but… I was a bit nervous about doing it because someone else (Dominique Jackson) had invested some trust in me – they’d asked me to provide a post on Twitter on their blog, and I wanted to do it justice.
I get angsty about some of the posts I write here, but at the end of the day this blog is my comfort zone, my own space where I can nip into the backroom and edit post-published spelling horrors, for example; guest-posting was a whole new responsibility.

As it turned out Dominique gave it a lovely standfirst, edited the intro so I looked witty and bright and uploaded it. And then she tirelessly promoted it. So thanks for asking me to guest blog Dee – it was another new learning experience in my blogging life. And, um, I have another idea for a post…

Discovering the joys of FriendDeck

Anyone who follows me here or on Twitter may have picked up on my ‘like it but keep forgetting to use it’ attitude towards FriendFeed.
I mean, I see the purpose of it, but I’m always forgetting to log in to the website – it’s not an essential part of my network yet.
So I was intrigued when I noticed a tweet from Liverpool software developer @PaulKinlan (of twollo.com and the late, lamented Twe2.com fame) referencing something called ‘FriendDeck’. I sent him a message back asking what it was and he responded with a very modest:

He added it was also available as an Adobe Air client too. It took me a few hours but I eventually found time to go an explore FriendDeck, and already I really like it.
I’m still playing around with it but on first impressions I’d have to say it works well – it’s very fast, user-friendly, looks like Tweetdeck (which is a good thing) and has the ability to share, like or open the original link.
This is the one I set up to try it out (click to enlarge the image):

Good isn’t it? It also has (but I’ve got the thing to large for them to show on the grab) my FF thread, groups I belong to, and my friends FF thread – all in one handy app. And that solves the problem I’ve had with the FF website – I have to flip backwards and forwards between my groups, my friends, me…
Plus I can post direct from it, and close off columns as I wish, and add new ones.
Anyway. If you want to try it you can find FriendDeck here.
I think I’ve finally found something that will make me use FriendFeed regularly.