Storybird: A collaborative storytelling tool for… journalists (and why not?)

I don’t know if I’m late to the party with this but I’ve just discovered Storybird
and, let me tell you, it’s an amazing website. So brilliantly simple, effective (and free – essential for me to try something for the first time) and engaging – I think it has great opportunities for journalists who want to tell, collaborate with others and share stories online.

In a nutshell, Storybird is a sharing site that allows you to make, illustrate and publish online your own stories. I signed up, skipped the ‘this is how it works’ video and plunged in to create my own story.
As I typed in text, images suggested themselves (I love that for Typical British Weather it offered me a little cartoon cricketer) and there are lots of artist illustrations to choose from. Most, but not all, are cutesy but since I’d only suggest Storybird be used to illustrate ligher-hearted articles (or as stand-alones) I don’t think it matters.
Here’s my first attempt (I only noticed the spelling error once I’d published it. Sigh)  UPDATE: Storybird suffered a ‘server outrage’ on Christmas Eve and emailed me to say my story was one of a dozen that had been lost. Irritatingly, instead of displaying a message that says this story is now irretrievable, it says it has been set to private. It hasn’t – it simply doesn’t exist any more. I would prefer if Storybird had made this clear, rather than pretending I’d made the story private, especially since I’ve been offline for several days, and therefore unable to do anything about that incorrect message.

Most, but not all, of the illustrations offered up are cutesy but since I’d only suggest Storybird be used to illustrate ligher-hearted articles (or as stand-alones) I don’t think it matters. You can have collaborative Storybird tales, with multiple authors, and they can also be open-ended.
The stories carry embed codes and badges, which is a huge plus as far as I’m concerned. I’m definitely going to be using this on the Liverpool Daily Post site soon, as Arts Editor Laura Davis and I are plotting an Online Literary Festival (more of which anon). And I could see this fitting into the scheme of things brilliantly as one way for our readers to get involved.

Anyway, in case I haven’t been quite clear on my feelings, Storybird is GREAT. It’s in public beta so do sign up and have a go. I haven’t been so thrilled with an online discovery since I made my first toon using Xtranormal.

Reblog this post [with Zemanta]

Anti-social media

I’ve blogged over at the Media 140 blog on online rudeness, bullying, Brumplum-gate and the problems of moderating communities if you’re interested in that sort of thing.
It was a timely post as I’d sent the words over on Friday, and then after the whole Fry affair kicked off on Saturday it needed a fair amount of tweaking to reflect those events. Anyway, you can read it here.
Incidentally, I recommend the Media 140 blog if you don’t already follow it – the latest post on there is by Henry Ellis and he’s shredding the Twitter rulebook with some panache. 

Talking social journalism at TEDx Liverpool

I was asked if I’d be one of the speakers at TEDx Liverpool – the first of several TEDx North events taking place over the next few months – and it turned out be be a memorable day.
Based around the mind-stretching theme of Creativity, I got hear presentations by from Microsoft’s Steve Clayton and Tinker.it’s Alexandra Deschamps-Sonsino among others, I met some Twitter friends in real life, and got covered in bubbles by Bubblino.

The theme of my 15-minute talk was Social Journalism – I wanted to explain my thoughts on how journalists who engage communities and interact on social networks can tell stories and gather news more completely, and with better results – and it featured as an example the July crane collapse in Liverpool, as I’d blogged around the subject then and thought about it a lot since.

There was some powerpointage which I’ve now put on Slideshare.net (without the original punctuation errors – it’s amazing what you miss until it’s up on a damn great screen in front of an audience!) and hopefully it was of interest to TEDx-ers, although I guess the tech crowd must have wished for 15 minutes more of the Microsoft Surface.

The questions at the end were challenging – I think a lot of people outside newspapers must find the crisis facing the industry fascinating. There were a few Post&Echo people in the audience and it must have been a bit weird for them to listen to me discussing the future of journalism in fairly frank terms. As I said at TEDx, my views are my own, not those of my employers. I don’t keep them to myself particulalry, but neither do I accost co-workers in corridors and urge them to join Twitter. Perhaps I should.

I wonder, for instance, what my colleagues made of me saying journalists needed to take themselves out of the story, and stop trying to shape and influence it? That journalism wasn’t the sole preserve of those paid to do it? That in the future there would be journalists – just maybe not so many, and perhaps they would be working for several employers across different types of media.

The thing is, journalism is changing, the way news reporters operate has to change, and the way we interact and seek out our audiences has certainly got to change. Answering questions on public social networks like Twitter doesn’t lessen the importance of a piece of information – it strengthens it, makes it easier to share, and for more people to apply their knowledge. The facts of a crane collapse – the Hows, Wheres and Whys – become really compelling when you add in the Whos: Who was involved; who saw what; who got hurt/had a miracle escape/rescued a neighbour. And you find out Who by reaching out – talking to witnesses, listening to their stories – both in the real world (by going to the scene) and online (by engaging on social media).

Anyway, that’s how I see it. For more on TEDx Liverpool have a look at this blog post by The Guardian’s Sarah Hartley – and if you’re thinking of going to any of the others I’d act now; tickets for Manchester have already gone.

Reporting breaking news using an N95 and social media

I went back to reporting today; there was a fire in Stanley St, Liverpool, and I found myself (quite by accident) on the scene before the road was cordoned off.
Fire engines were parked the length of Victoria Street – there must have been at least 15 there, not to mention police cars and ambulances – and around the junction with Stanley Street were sprawls of rescue teams.

I had a chat with a couple of firefighters while they grabbed a quick glug of tea – both had soot-smudged features and looked very tired – but they were unfailingly cheerful and in full teasing mode. I think it’s a requirement of the job that you have to be able to gently mock reporters; in any case, my experience has tended to be that fire crews are the most genial of the blue light services and usually up for a bit of banter.

I had no kit other than my N95 – not even a pen – but I actually didn’t need anything else. I shot a bit of video to post to YouTube…

Twitpic-ed…

… and then wangled a quick interview with one of the fire service managers, who was not at all fazed when I explained I had no notebook and could he please read out his statement so I could film it. Not cutting edge journalism (my poor, dying N95 collapsed at one point and needed open-back surgery in the back of the fire van) but it worked fine.

There was some drama in how to share the video; I couldn’t get them to upload to YouTube via Shozu for ages due to O2 flakiness. (Another consequence of this was that livestreaming via Bambuser was pointless).
Finally the Post & Echo’s head of web, Kevin Matthews (not having the gentle return from holidays he was hoping for, I suspect) was able to access them and get them into the online news article, along with photos from fellow digital team member (and nearby resident, Jo Kelly).

What this little reporting interlude made me appreciate was how reliant I have become on social networks and my mobile phone to share information. I didn’t need a notebook, laptop or camera – just Twitter, Twitpic and Youtube, and the other users in my network to help me share it. If only I could have remembered my Ipadio password (I was very cross with myself) I would have posted a podcast report of what was happening too. It was fairly simple, and would have been an absolute breeze if it hadn’t been for O2.

It was a real case of putting my money where my mouth was; the previous day I’d given a talk at TEDx Liverpool on Social Journalism, and the use of news networks to share stories. I want to blog on TEDx when I’ve got my thoughts together a bit more, but it was interesting and fun to have to practise what I’d been preaching so soon afterwards. And it was a lot more fun than writing strategy documents…

Testing some audio-blogging tools for journalists

Mobile podcasting can be a real boon for newspaper journalists on a breaking story – it’s a quick, easy way to get a story out. For the listener, it feels fast, real, and engaging – and it’s also a simple way of filing copy back to the office.
I guess we’re all too attached to our lovely, weighty prose but there are always more apps coming along to to make podcasting easier on-the-go so it’s worth giving it a try.

The latest one arrived yesterday courtesy of a tweet from The Pauls (Kinlan and Rawlings, creators of FriendDeck, among other things) who asked for testers for Friendboo – a new FriendFeed podcasting tool. In their own words:

FriendBoo is a super simple audio blogging application built for the users of Friendfeed. All you need is a Friendfeed account and a regular phone.

It’s in very early beta so a few gremlins were unavoidable but it’s looking promising. I reckon regional newspapers with FriendFeed sites could potentially use this as an easy ‘audio-comment under stories’ option for readers.
I like it because it’s a unique, dynamic addition to a site that is, for many users, a simply a nexus point for information from other sites. Probably more importantly for the developers Robert Scoble is also a new fan.
So, after a couple of tests I thought I’d see how it compared with other sites I’ve used.

PROS: Simple dial-in; available for UK and USA users; established commenting facility; cross-posting; fast, embeddable; sharing options, decent sound quality.
CONS: Early beta means inevitable hiccups; not the prettiest embed.
Friendfeed account required.

Undoubtedly the most popular site (for now – it’s amazing how faddy the web is) – is Audioboo which I tried out for the first time using an iPod touch with external mic (cost me £19.99 from Apple and works brilliantly with the Skype app). The embedded player looks lovely, and the sound quality is excellent but it’s really restricting its audience to App-olytes right now. I’ve synched my Nokia to the Audioboo account but I’ve never managed to get it to work properly.
*UPDATE: Sarah Hartley’s instructions on how to ‘boo from a Nokia are here

PROS: Ecellent sound quality; very simple; cross-posting options; photo-adding; rating and comment facilities, fast, free, attractive embed.
CONS: Unavailable for non-iPhone users (does work with iPod Touch with external mic); doesn’t feel as much of a social media option as the others.
Audioboo account required.

For non-Apple users, Ipadio is a good option. Discovered this back in May and although I’ve not had cause to use it since I have kept it at the back of my mind as an exciting new site. The sound quality is good and the embed is very nice, although I don’t like the ‘second phonecast’ text. What’s the point of it?

PROS: Simple to use, low-cost, good sound quality, embed and subscribe options, fast-loading site, short PIN, fast upload, cross-posting; free service (‘right now’ according to the blurb).
CONS: Dont like the ‘Another fine phonephlog’ cross-post text;
Ipadio account required

And, for nostalgia sake, I returned to Utterli, a site I loved right up until the moment they stopped taking calls from the UK because of costs. Using it with my laptop I recorded and uploaded an Utter in seconds (I think the limit is a 10 minute podcast) but mobile-podcasting isn’t an option so that makes it pretty limited.

Mobile post sent by Alison using Utterlireply-count Replies.  mp3

You upload with text, video or photos if you wish, and others respond via audio or text. It’s a nice idea, and I wish the phone option still worked.

PROS: Free (from laptop); easily embedded, cross-posting, photo and video uploads supported, good social media opportunities, community-building.
CONS: Not available on mobile in UK; not always great sound quality.
Utterli account required

So, which would I use? Right now I’d say Ipadio is the most functional although – like Audioboo – it’s more about broadcasting than conversation. But I think Friendboo could be very good once it’s ready to launch and the threaded conversation opportunities are far greater. Look forward to seeing how it develops.

Using old and new media for breaking news

A crane fell down in Liverpool today, crashing onto an apartment block, and I knew about it within seconds, from two sources.
One was eyewitness who rang the Echo – it being the kind of local paper that people do still ring when things happen – and the other was Thom Shannon sat in an office near the scene of the accident, who twittered what had happened:


Within seconds Thom and Stuart Robarts at FACT had photos online via Twitpic and Flickr (Thom used a rather ingenious method of combining iPhone and binoculars to get a shot) before photographer extraordinaire, Pete Carr, heard about the news and headed off with his kit.
His photos are here.
The Echo and Post had great copy, a map, images and video on the websites but it was taking too long to cache, so we made sure the papers Twitter streams kept up constant breaking news with links back to our copy, while retweeting locals who had images on Flickr and other sites.

There was the inevitable ‘who needs newspapers’ tweet…

Need newspapers? maybe not, but a lot of those on my networks wanted journalists to ask the questions they wanted answers to. After all, everyone knew one fact – a crane had fallen onto flats – but it was journalists from the Post&Echo who were trying to fill in the details.
So you have…

followed by…

Scores of people were asking if anyone was hurt, were people trapped, just what had happened – and we were able to answer those queries only because we had reporters on the ground, in the office making phone calls to the emergency services, and talking to the HSE, among other. We managed to wrongly credit @FACT_Liverpool on the Echo’s changed front page but since the story broke as the print run was in progress, it was inevitable a mistake would creep through.

Anyway, it was a good way to combine as many different strands of storytelling as possible. Traditional print, mixed with online social media, staff video and photos, and broke the news, then kept updating the story, very effectively.

I also put together a quick Dipity Flipbook of a feed grabbed from Twitter Search, which should update itself in the future.

I could have made the search term wider but you’d be amazed how many tweets contain the word ‘crane’ without it ever being in reference to “Any arm which swings about a vertical axis at one end, used for supporting a suspended weight“, let alone collapsing ones.

A brief surge of interest FriendFeed

FriendFeed is back on the radar, although not necessarily mine. I’ve had an account since it launched and never really been able to sustain the enthusiasm. The other problem is that it’s intermittently blocked on my work internet, so simply logging on can be a small triumph.

Anyway, recently the site has had an overhaul – or, more accurately, it is attempting to become Jaiku – and since more people are wandering over to Friendfeed, I thought I ought to give it another go.

I’ve got a bunch of new subscribers, and I’ve subscribed right back at ’em, and I’ve even sorted them into little groups (Personal or Professional – look, I never said it was an extensive sorting operation).
As I was pottering away in my FriendFeed stream some new photos from the Daily Post Flickr group popped up in my stream, reminding me that I probably ought to create a Liverpool Echo Friendfeed (the Echo Flickr group is starting to flourish now; it’s amazing what a difference just being visible on the group page makes) so I suppose FriendFeed has proved useful already.

I can’t say how long I’m going to keep using it though; I guess I’ll give it a week of being one of my web tabs (as long as the work webmasters let me anyway) and see if it makes a difference in how I follow links, tweets, images and Shared items on people’s Reader. But then, if it hasn’t grabbed my attention, I’ll forget about it again.

Sometimes, I can be quite antisocial with social media…

Year of the Blog (Part II)

I’ve started new chapter in my life as a journalist but I’m not alone in this – the collective newsrooms of the Liverpool Daily Post, Liverpool Echo, and the Merseyside weeklies are travelling the same road as me.
We’ve become (or, more accurately, are becoming) a single news-gathering operation, working together in what is being called the multi-media hub. It’s hard work and confusing at times. It means I have a new job – Executive Editor, digital, for the Post & Echo – and so I guess it’s an opportune moment to look back at the second half of my blogging year.

September 2008
One of the busiest months of the year, on reflection.
Comparing how the traditional news-gathering and story-telling methods were being enhanced, and in some cases supplanted, by Web 2.0 tools provoked plenty of debate. A lot of people I respect hugely said some kind things about the post, which was a relief as there were plenty of people I annoyed too.
I guess it would be a boring old world if we all agreed… but I am right, you know.
The Post & Echo liveblogged the visit of La Princess, the giant mechanical spider, in Liverpool with reporters tweeting and live-streaming, and Dipity’s TimeTube, using using Flickr and YouTube tags, provided a great addition to the live blog.
I bought a Flip, had a rant about how deadlines constrain journalism, and considered the 13 Web online tools I find essential for my job, from Ask500people.com to YouTube.
What I learned: We are being given new tools to tell our stories and reach new audiences – use them and they will help you be a better journalist, connect more with your readers, find more stories and make your editor happy (if you don’t want that, why are you in the job?); a Flip is a fun bit of kit that delivers great results and is confidence-building for journalists starting out making their own videos; when you enjoy your blogging it shows – and much of the pleasure that comes from blogging is down to the great conversations that spring up in the comments.

October 2008
A bit of blog washout really – work took over my life. I was leading the (rather sad) project to take the Daily Post from a 6-day publication to a 5-day one; and editing the paper most of the time as the merged news operation project began in earnest.
A blog post by Vicky Anderson about Steve Coogan’s hopeless Echo Arena show led me to conclude:
1. Most of our online readers are from our circulation area – contrary to popular belief (in this case, they attended the show then turned to the blog to express their dismay at its quality)
2. Interacting through blogs can feel more natural to readers than forums
3. A blog post with relevancy is valuable to users
4. Blogs can create content for reverse publishing
The post started a great debate on whether reporters could/should write all their stories as blog posts online. For the record, I think they should.
I learned a valuable marketing lesson from Darren Farley, who made himself a brand without going near his local newspaper, using a mobile phone and YouTube. The blog post turned into an SEO phenomenon almost as big as Darren himself. Well, not quite. He really is a phenomenon.
What I learned: When we talk about engaging our audience, we have to remember what we mean – Transparency, Interaction and Conversation (this can be confusing for a journalist trained to protect sources and guard information, but it is vital); no matter how positive we try to be, the evolution of newspapers involves hard decisions and heartache; anyone who thinks their paper is the only brand that matters – and it’s depressing how many people in the industry think that – should spend 2 minutes surfing YouTube.

November 2008
In November the LDP’s Flickr book was conceived – one of the most taxing and rewarding projects I’ve been involved in. It was a celebration of Liverpool’s Capital of Culture Year, using staff images and photographs from the Daily Post’s Flickr group. I believe other TM newspapers are asking their Flickr groups if want to do the same.
In other news, I ran my blog through Typealyzer and discovered I was a Mechanic. This means, apparently, that I’m independent and problem-solving, good at responding to challenges that arise spontaneous and avoid inter-personal conflicts. Yay me!
Erm… not quite. Typealyzer then said I was in the wrong job, and should consider a career as a racing driver.
What I learned: My advice to anybody attempting a book project involving multiple contributors is plan, share the plan with everyone involved, rip it up and put together a fresh plan taking into account the views and comments that come back, and then Put It In Writing and stick to it. Rigidly. Because the Flickr book was a bit ad hoc (or “grew organically”, if you’re a senior manager, there wasn’t much time to plan and we ended up doing twice as much work as we might have. But it still looked awesome.
Oh yes, and according to a bit of code I’m in the wrong job. I’ve not really learned my lesson there.

December 2008
I was lucky enough to get a place on an Andy Dickinson training course at the Birmingham Post & Mail’s new Fort Dunlop offices. Andy’s course was head-spinningly good and very entertaining; I sat on the train back to Merseyside bursting with ideas, one of which was to use information from Whatdotheyknow.com , credit the site and tell people how they could use it too.
The decision caused some debate in the newsroom because it does go against what we journalists do (not reveal sources, gatekeep information, control copy) but we linked to the website, and the site kindly linked back to us. Everyone won – including the reader.
I got perplexed by blog spam (my current favourite is one which has the words wow! nice gold subliminally inserted through the comment) and outlined my thoughts on when to ban readers who abuse forums.
The blog was becoming less of a practical testing station and more of an ideas-crucible.
What I learned: Share knowledge at every opportunity. Andy shared his with me, I shared it with journalist Ben Schofield, he used the site, investigated, asked questions and filed a story that made the front page, then shared the knowledge of how he built the story with readers, so they could use it too. Sharing information, knowledge – or, crucially, lack of knowledge can increase a journalist’s power and ability to do their job. Incidentally, that’s why Twitter is such a fantastic tool for reporters.

January 2009
Talking of Twitter, it was undergoing a sea-change in January. The arrival of ‘slebs’ meant it was becoming more mainstream, and I noticed many of the people I followed were moving from avatars or photos that didn’t show their faces to portrait headshots.
And I started to feel a bit uneasy about whether I was preaching transparency while hiding behind my little devil. I asked Twitter and Ask500people.com, and as a result of the responses stuck with the devil. I also noticed Plurk was was on a decline, which saddens me still as I love it, and got back on the Twitter subject to ask why people were protecting their updates and what did they think they were protecting, exactly. Work was overwhelmingly busy with the newsroom merger and I managed just five posts. Shameful!
What I learned: Twittering slebs hold no fascination for me (Stephen Fry & Neil Gaiman excepted); having an avatar doesn’t mean you’re hiding something, and my odd little online representative can actually make it easier to pick me out of a busy Twitter stream; Ask500people really is a great medium for conversations and engagement; anyone protecting their Twitter update is doing it because, generally, they don’t understand how Twitter works. Finally, when people ask me to explain how Twitter works I’ve found it’s more important to show them my network, and then explain why Twitter works.

February 2009
Happy birthday blog! Where did the year go? In 12 months my whole outlook on journalism has been turned on its head and I’ve had more fun that at any other time in my career (although getting a job in a massage parlour runs a close second).
In the time I’ve been a blogger I’ve learned just how supportive the blogging community can be, shifted (I think) more towards using the blog as a medium to explore ideas and ask questions, found the comments people post tend to be more worthwhile than anything I write, and – ironically – felt more connected with the real world than I have at any other time as a journalist.
For that I can thank a whole host of people, some I seldom meet face-to-face, but I talk to them most days and count them as valued friends.
A networked journalist is, I believe, a better journalist but it’s more than just how it affects my job; my network is hugely important to me, every day it surprises, challenges and stimulates me, supports me, and helps me be more relevant.
My new jobs started today; what will the next 12 months bring? I don’t know – the current debate is whether people will pay for content, last week it was Do We Need Subs? and within the week it will have moved on to something else.
For what it’s worth, I believe we have to keep telling our stories, share more of our knowledge, make our newspapers and websites communities instead of silos, be relevant, be accountable, demonstrate interaction instead of talking about it, both online and in print, and do what we should do best – serve our local area to the best of our ability, ask questions for them and listen to them when they come to us. We sometimes get things wrong but overall we’re pretty good at what we do and we care. Personally, I think that’s half the battle.

Why protect your Twitter updates?

I’ve found my Twitter followers are growing quite rapidly recently, probably as connectors such as Mr Tweet and Twellow become more widely used.
I follow quite of lot of them back (unless they only update via an automatic feed telling Twitter they’ve blogged) as I like having a widening conversation circle – but there are a couple of things in the way of ‘Twetiquette’ that I find irritating:

1. Auto DMs that say something along the lines of: “thanks for the follow. Find out more about (insert pointless marketing opportunity here) by visiting my website”… I love the excellent “Click on My Junk” post by Amber Naslund, which sums this up perfectly

2. The other irritation is this:

So this person is already following me – but how do I find out about my new follower if I can’t see their Twitter stream? Yes, I can click on their profile’s website link but often that won’t tell me if we share friends, if they converse or simply broadcast, or whether they are following me because we live in the same area or work in the same field.

In fact, it irritates me so much that I ended up (once more) turning to Twitter for the answer.

I got some interesting responses.

In the “I don’t do it but understand why some might” camp:
@Torgwen Yes to have small group of friends/for work etc. whereas now any unknown nosey b***r like me can read what you write!
@davidbartlett1 maybe if you say “I’m going to America for three weeks” you fear someone might break into your house?

In the “They’re missing the point” camp:
@editorialgirl I don’t get it either. Some of my followers have protected updates – so I have no idea if they’re worth following back or not
@foodiesarah & what exactly are they hiding? even more ironic when bio says “social networker”. umm, that’ll b on a one-way social network ?

And there’s the “life is too short to bother with lurkers” camp:
@louisebolotin I block unknown followers who have protected their updates!

Confession: When I joined Twitter I protected my updates for about 2 weeks; I stopped because it felt wrong and … precious. Nothing I tweeted was so interesting that it merited forcing someone to ask permission to follow me. Why did I protect them in the first place? Just to see if it worked. Well, it did. I got no new followers for that fortnight, and I switched it off pretty smartly.

Personally, if you protect your updates, I feel as though you’ve already placed limits on our potential conversations and future networks.
It would be interesting to know if many of those who padlock their updates are newsbies to social networks. Do you protect yours? If so, why? Is it because you are fed up with spammers? Block them if it bothers you that much.
Social media is about opening conversations, sharing, linking, building networks; if you put up barriers and police who can follow you too rigidly, you are going to miss out on a lot.

Web 2.0 and brands

Gary Vaynerchuk, of Wine Library, gave a talk on Building Personal Brand Within the Social Media Landscape at the recent Web 2.0 Expo NY. He’s a bit shrill at times but it’s worth presevering I think.

Here are some of his points:

Becoming a brand

“The place where we play is very real and it is a massive opportunity. We are going through a gold rush of branding; in the old days to become a brand you needed a lot of mainstream media attention. But now, if you get talked about enough, on all these social webs and blogs, you can get there. You can build your company’s brand.”

Social media and brand equity
“When you have brand equity anything can happen. What is imperitive to me right now is using the tools. Lots of people say to me ‘which tools should I use: Should I use Twitter, Pownce, Jaiku?’
“Which tools should I use? ALL of them. Your user-base, and the people that connect to you – you need to connect to them any way you can, everywhere you can, as often as you can. That is essential”

Networking
“Get out there and network. The only way to succeed now is to be completely transparent – completely. Everything is exposed, everything you do, so your legacy is your ultimate life. It’s all you got and you can build so much on that.”

Anyway, the full talk is here. Newspaper people – journalists, advertising staff, marketing (particuarly marketing!) should pay attention to Garybecause the fundamental message that comes across is just how self-sufficient Web 2.0 allows everyone to be.
Scary stuff? Maybe I should have saved this post for Hallowe’en…